As a child I used to draw things like animals and people using only the letters in their names. I would stretch and contort each word’s curves to evoke the shape of what it referred to. It’s a game I’m sure many have played. And I liked drawing faces that were also faces when you turned the page upside-down – like this matchbox set, but simpler.
So you can imagine the appeal ambigrams held. There’s an example above, or see Wikipedia for a basic introduction. I think I first encountered these shapes, also known as inversions, in Douglas Hofstadter’s books. They involve an artfully contrived symmetry whereby a word can be rotated, reflected or otherwise shifted but remains readable.
I recently came across the beautiful ambigram below: a perfectly symmetrical mirror alphabet from puzzle-designing wizard Scott Kim.
It’s immediately recognisable as the modern Latin alphabet, but…
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